Plastikman & Richie Hawtin Remastered releases of ‘Sheet One’, ‘Musik’, ‘Recycled Plastik’ & ‘Artifacts (bc)’ Mute are delighted to announce the release of remastered classic Plastikman albums, Sheet One, Musik, Recycled Plastik and Artifakts bc. Plastikman is the just one of the alter egos of Richie Hawtin, who, over the past 20 years has been one of electronic music’s most important artists; as a DJ, a label owner, a producer, a performer, and an avid contributor to the development of music and performance technology. Born in Oxfordshire, Hawtin’s family moved to Canada when he was nine and, growing up he was heavily influenced by both his father’s diverse record collection and his own acute curiosity for everything electronic, watching from an early age as his father dismantled various electronic devices, rebuilding and modifying them in front of his son’s eyes. It was inevitable that his passions for music, technology and computers would be finally drawn together, and upon hearing the early sounds of Detroit Techno and Chicago Acid House on Jeff Mills’ late 80’s Detroit radio show, he found his direction. Install kodi on laptop. Travelling between Canada and Detroit, Hawtin was regularly in Detroit and Sheet One, originally released on NovaMute in 1993, was the first Plastikman album release.
Hawtin’s stark production was quite unlike anything else on the electronic scene at that time and, that, alongside its controversial acid-blotter cover introduced Plastikman to the world. This was followed a year later by Recycled Plastik, featuring the infamous 909 percussion track, ‘ Spastik’, which later became a live favourite, and by Musik, lauded by many as ‘one’ of the most important electronic albums. The fourth of the remastered releases, Artifakts bc, originally released in 1998, is a collection of tracks recorded around the time of Musik, and featuring parts of an unfinished album which was cut short when Hawtin was on a temporary exile from the US. The title Artifakts bc refers to “Before Consumed” and the album serves as a bridge between Musik and Consumed, which was released in 2003.
Following the release of these groundbreaking albums, Hawtin concentrated on his DJ career and the creation of the label, Minus. In 2010/11, Plastikman returned for a worldwide tour and a series of major festival appearances. Richie Hawtin is currently touring a new concept titled ENTER.
Based on the principles of ‘Music. Experience’, the concept was born in Ibiza and is about to tour the world. Sheet One, Musik, Recycled Plastik and Artifakts bc, remastered by Richie Hawtin, are released on Mute in September 2012.
Contents. Critical reception Professional ratings Review scores Source Rating Jason Birchmeier of gave the album 4 stars out of 5, saying, 'Spastik' became perhaps his most well-known Plastikman production, a signature track that never ceased to inspire feverish reactions among Hawtin fanatics.' Track listing No. Title Length 1.
'Krakpot' 11:13 2. 'Elektrostatik' 9:59 3. 'Spaz' 7:41 4. 'Gak Remix' 6:52 5.
'Naturalistik' 4:39 6. 'Spastik' 9:19 Personnel Credits adapted from liner notes. – music References.
This is the complete Arkive set, called ARKIVES KOMPLETE. Hyperterminal for windows server 2008 r2 free download. It consists of a boxset called ARKIVES REFERENCE includes a deluxe package, double gatefold CD holder with 15 CD's and 1 DVD and 94 page Plastikman book including rare and unseen photos and newly commissioned text. A second boxset called ARKIVES ANALOG which contains 6 180g Vinyl Records/12 Sides/13 Tracks packaged in in a Deluxe Box with a limited Edition Plastikman Poster. The books are personalized with the name of the buyer on the first page.
Plastikman Recycled Plastik Rar
(the 249 MP3 files) was also available for download for those who ordered ARKIVES KOMPLETE. The files were available for lossless download during the first hours of download, but almost instantly, only the lossy mp3 files remained. The release was planned in February 2011 but for different reasons it was only shipped the 22nd of August 2011.
Tracklist 1 Krakpot 11:13 2 Elektrostatik 9:59 3 Spaz 7:41 4 Gak (Remix) 6:52 5 Naturalistik 4:39 6 Spastik 9:19 Companies, etc. Licensed From – Plus 8 Records.
Phonographic Copyright (p) – Mute Records Ltd. Copyright (c) – Mute Records Ltd. Pressed By – Technicolor – B1340.
Published By – Plus 8 Music. Published By – Plus 8 Music Europe. Published By – NANADA Music. Recorded At – UTK Credits.
Design Plastikman Logo – Dominic Ayre. Layout – Richie Hawtin. Music By Musik By – Richie Hawtin Notes All tracks recorded at UTK, Windsor, Canada. In slimline jewel case.
Licensed from Plus 8 Records. Published by Plus 8 Music Europe / Nanada (cover backside), published by Plus 8 Music / Nanada (CD face).
I have to say I find this less interesting than other Plastikman releases. I imagine it's probably a 'you had to be there' kind of album, but the thing I value most about Hawtin's Plastikman project are those winding, twisting acid melodies he crafted so well on Sheet One and Musik. There are very few of those here (the 'Gak' remix aside); instead we get 6 mind-bending exercises in percussive repetition. Having only heard it sober I can't speak to its effects while tripping, but for home or even headphone listening I find these tracks bordering on being irritating. That said, even when he's just tweaking his 303 for eleven minutes he's still more cerebral and intriguing than most other acid producers out there.
So this is unquestionably a landmark for what it accomplished in 1994 in terms of taking techno to bold new minimalist depths, but in 2012 I find that unfortunately it holds up less well than the rest of his Plastikman discography. Try to picture a heavily pissed off man sitting in the living room of his fourth floor appartment. He suddenly grabs the two nearest objects within his reach, which just happen to be a Roland TB-808 and a Roland TB-303, and throwing them out of the window out on the street. Five minutes later, coming to realize what he has done, he quickly runs down, picks up all the pieces, no matter the size, goes back to his appartment and starts reassembling the instruments, guided plainly by his memory. Once the restoration is complete, and a few spliffs later, he begins to compose music, only this time aided by 808's sister, the Roland TB-909. Basically, the above written paragraph is how I imagined Richie Hawtin back when I thought his name was another way of saying 24 carat gold.
Led by the immense success of his debut album under the Plastikman moniker, 'Sheet One', Richie Hawtin collected a few of his early Plastikman tracks, added two (back then) newer tunes, and pushed out a 49 minute long 'Recycled Plastik' release. Back in the day, for those who refused to hear it the first time around, by 1994 there was no more debate: minimal was the way. A track by track review is out of the question today, as most already know what this one packs, and those who don't hopefully won't waste much time.
All you need to know is that on this particular shiny piece of plastic, you can find 'Krakpot', 'Elektrostatik' and 'Spastik'. These three tracks, more than any other, perfectly sum up everything Plastikman was about back then. Or, if you disagree, everything I thought he was about; rolling percussion, hi hats, cymbals, snares and drum kicks all stripped down to their core elements, wobbling and hypnotizing aceiiiiiiiid lines and more minimalsim than minimal techno ever needed to hear. Despite making it sound like I was describing a raging, harsh and in-your-face bullet of techno music, quite to the contrary, the greatest aspect of Plastikman's music, if there ever was one, is that his releases pack so much more than unvelied upon initial listens.
Minimal, yeah, but simple and not engaing- hell no! I remember how the more I listened to this stuff, the less I became attached to the reiteration of the music, and went deeper, exploring the moods, atmospheres and shifting from one corner of my left speaker to the right one of the other. Despite sounding very aged now, this is the essence of minimalistic sound. To end, going back to what I wrote a few lines up, I would not know what to say today, but some years down the memory lane, and yes, minimal truly was the way to walk.